Aʙᴏᴜᴛ ᴛʜᴇ Bᴏᴏᴋ
Mary Bloomfield has no illusions. Her chances for matrimony have long since passed her by. Still, her circumstances are pleasant enough, especially now that she has found purpose in assisting her father with his medical practice in England's beautiful Lake District. Even without love, it's a peaceful life.
That is until Adam Edgerton returns to the sleepy district. This decorated war hero did not arrive home to acclaim and rest, but to a new battle against the repercussions of an insidious disease. Mary's caring nature cannot stand to see someone suffer--but how can she help this man see any brightness in his future when he's plunged into melancholic darkness, his dreams laid waste by his condition?
Adam wants no charity, but he's also no coward. If this gentle woman can work hard, how can he do less? Together they struggle to find a way forward for him. Frustration and antipathy slowly develop into friendship and esteem. Then a summer storm atop a mountain peak leads to scandal--and both Mary and Adam must search the depths of their closed hearts for answers if they hope to find any future path with happiness at its end.
Best-selling author Carolyn Miller is back with a fresh series that will not only thrill readers eager for more of her work, but bring in new fans looking for beautiful writing, fascinating research, deftly woven love stories, and real faith lived out in the Regency period.
The more regency stories I read, the more I love them. England in the early 1800’s was a much different world, for women especially, and stands as such a strong backdrop for this inspiring story.
Dusk’s Darkest Shores is a beautifully written, well-crafted story! Carolyn Miller makes visualizing and immersing oneself in Regency England effortless. It’s easy to connect with the characters and I love how authentic their situations, expectations, and responses feel.
Mary is one of my favorite characters I’ve read from this time period. She has a sweet, yet spunky demeanor. She has a kind heart yet isn’t a pushover, smart yet humble, imperfect but strives to be better, and is most admirable in her appreciation and contentment with most situations.
Adam is a super-complex character with countless dissimilarities from Mary. But somehow their personalities complement each other as they cause each other to grow. Adam faces many challenges, and yearns to overcome them, though he often doubts (or is afraid to believe) that his goals are attainable.
Wonderfully crafted characters!
I mainly connected with Mary, but truly empathized with nearly every character. (It took great effort with a few of them, though. Ha!) Adam’s mother annoyed me, but as a mother myself, I understood her actions and reactions even if I hope I would’ve reacted differently. I liked Dr. Bloomfield, Mary’s dad, and feel he added depth to the story. I struggled to connect with Joanna and Emily on an emotional level, but they greatly enriched the story as well. And if anyone can’t empathize with Adam and his struggles, then I worry about them. He, in my opinion, is the heart of the story.
An important spin to this story (and series) is that it is somewhat unconventional for a regency tale. Its focus is on women less than wealthy, beautiful, and admired. The ones some might consider wallflowers. Brilliant!
Most compelling, is the steady thread of faith that binds this tale together. Persevering the winding paths of darkness, struggles, and unanswerable questions often leads us to a brighter and more rewarding life, as Mary and Adam discover.
I don’t think I’ve ever described a book as gentle before, but the adjective is fitting. Dusk’s Darkest Shores is a tender, stirring, spiritual, and rewarding story that will leave you feeling brighter and more blessed.
Dɪsᴄʟᴏsᴜʀᴇ: I ʀᴇᴄᴇɪᴠᴇᴅ ᴀ ᴄᴏᴍᴘʟɪᴍᴇɴᴛᴀʀʏ ᴄᴏᴘʏ ᴏғ ᴛʜɪs ʙᴏᴏᴋ. Mʏ ʀᴇᴠɪᴇᴡ ᴡᴀs ɴᴏᴛ ɪɴғʟᴜᴇɴᴄᴇᴅ.
Aʙᴏᴜᴛ ᴛʜᴇ Aᴜᴛʜᴏʀ
Carolyn Miller is an inspirational romance author who lives in the beautiful Southern Highlands of New South Wales, Australia with her husband and four children.
A longtime lover of romance, especially that of Jane Austen and Georgette Heyer’s Regency era, Carolyn holds a BA in English Literature, and loves drawing readers into fictional worlds that show the truth of God’s grace in our lives. She enjoys music, films, gardens, art, travel and food.
A longtime lover of Regency romance, Carolyn's novels have won a number of RWA and ACFW contests. She is a member of American Christian Fiction Writers and Australasian Christian Writers.
Learn more about Carolyn at www.carolynmillerauthor.com or find her on Facebook (Carolyn Miller Author), Instagram (@CarolynMillerAuthor), and Twitter (@CarolynMAuthor).
An Interview with Carolyn Miller,
Q: Please introduce us to your new Regency Wallflowers series, and specifically to your latest release, Dusk’s Darkest Shores.
After writing nine books in the Regency Brides trilogies, I wanted to focus on stories that were less about the rich, beautiful, and titled aristocracy and more about ordinary people. Specifically, I wanted to tell the stories of women who were slightly older and who were considered “wallflowers” or those with very few, if any, matrimonial prospects. I have found that Regency fiction is often populated by an amazing number of single, rich, young, and handsome dukes instead of these far more relatable women and situations. With the Napoleonic Wars having killed many young men in Regency times, it seems a fair assumption that not all women would have married, so I wanted this new series to focus a little more on what that would have been like, and the challenges a woman might have faced given these extremely limited circumstances.
For Mary Bloomfield, the heroine of Dusk’s Darkest Shores, she is crucially aware that her age and situation mean she is unlikely to wed. She helps her father, the local doctor, and is content with her lot in life, until Adam Edgerton, a local war hero, returns. He’s the victim of an insidious disease which has crippled his prospects. As Mary helps Adam fight to find a future, frustration and antipathy develop into friendship and esteem, then into something deeper. This story is set in England’s beautiful Lake District, and the setting as well as the social and medical challenges of that time make for fascinating reading—something I really enjoyed researching, and I’m sure readers will enjoy too.
Q: What drew you to write Regency fiction? What are some of the popular trademarks of stories set in the time period?
I’ve been a fan of Jane Austen’s works for many years (decades!), and then my sister introduced me to Georgette Heyer, a British novelist whose books essentially established the Regency genre. Once I started reading Heyer, well, I knew I had found my niche. After writing several prize-winning contemporary romance stories, I was told that US publishers wouldn’t want them due to their Australian settings and characters, so I challenged myself to write a Pride and Prejudice–style novel, with some of Georgette Heyer’s wit, and an unapologetic faith thread. That first book drew a publisher’s attention and became The Elusive Miss Ellison, the first book in the Regency Brides: A Legacy of Grace series, which led to two more Regency Brides series.
Some of the hallmarks of Regency fiction include the focus on aristocracy and its trappings, such as the country estate and the town house, balls, and marrying for money versus marrying for love. Many of these books try to emulate Georgette Heyer’s witty dialogue, and focus on the importance of social behavior and its impact on society as much as on the details of gowns. It seems rare to find Regency fiction that focuses on the lives of the working classes or those for whom finances were not so easy to attain, probably because it doesn’t offer the glamour of a Mr. Darcy–type strolling around the hallowed halls of his magnificent Pemberley estate. Many of those Jane Austen–style romances lead people into a fantasy of life in the Regency era. While I’ve written my share of fairy-tale-type fiction, I like to write stories that present relatable people with realistic challenges, woven with faith, love, and humor.
Q: Tell us more about England’s Lake District in the 1810s. What was life like for women especially?
Like many places of this time, the Lake District in the north of England was suffering the effects of many of its men being involved in war, which severely impacted the small villages and rural farming communities. These sheep-tending communities saw the women take on roles that perhaps were not considered as usual when the men were around and able to fulfil their farming and regular duties.
For many women in this time period, their lives were certainly not focused on the latest fashions from London but rather on ensuring they had enough food to feed their families by whatever means possible. Families might grow some of their own food, but many women had to turn their hand to whatever they could to make ends meet. It was a hard life, a very practical life, with little room for whims and fancies, especially for those in the middle and lower classes. That is why village functions such as dances were considered the ultimate in entertainment. Women were often at the beck and call of their family and social obligations, with little room for indulging the softer emotions, let alone the luxury of falling in love.
Q: Can you tell us more about your leading lady, Mary Bloomfield, who is quite self-sufficient and, in some ways, independent?
As the daughter of the local doctor, Mary Bloomfield is put into situations that many “proper” young women would never be exposed to. But as her practical, no-nonsense father values her commonsense and useful ways, she is placed in circumstances most unusual for a woman. This includes the preparation and mixing of medicines, as well as the care of patients that leads her to adopt far more independent conduct than most other women her age and younger.
Mary is naturally compassionate; her older age, steady temperament, and caring nature mean she is well respected in the community, allowing her some degree of leeway from the usual social expectations. Like Elizabeth Bennet, she is partial to an unchaperoned stroll, although Mary always has a purpose, such as visiting a sick neighbor, and usually has her basket on hand (filled with medicine or supplies).
Q: What are Mary’s views on marriage? Does being past “marriable age” bother her?
In Regency times, many women were thought to be “left on the shelf” if they remained unwed many years past twenty. Mary is wryly aware of her lack of marriageability, especially as she is older and is considered less attractive than other single ladies in the village. She has accepted her lot in life, is content, and has quite given up any notions of romance.
She does not allow this to bother her, instead busying herself in good works, helping her father with his work, visiting the sick in their community, and helping to care for them in the little cottage infirmary that is part of their house. She’d rather use her time for the benefit of others than wistfully daydream on what she knows can never be.
Q: The Bloomfield sisters at first appear to have many differences but are more alike in some ways than they would ever like to admit. Can you tell us a little bit about the sisters and how they butt heads?
Mary’s own mother died when she was very young, so when her father remarries and another daughter is born many years younger than Mary, it is not surprising that they don’t always see eye to eye. Joanna Bloomfield seems to be somewhat spoiled and focused on flirting and fashion. Mary is keen to encourage her sister to think of how her time could be spent more productively—which is not always well received. One of their chief challenges concerns how Joanna treats her would-be suitor, and they also clash over Joanna’s friend Emily and the advice Mary offers her when Emily’s injured sweetheart returns from war.
Deep down, Joanna has a moral compass almost as strong as Mary’s own, and she is equally candid in her assessment of what she perceives as Mary’s shortcomings. But she is also loyal and loving, and doesn’t hesitate to step beyond the realm of propriety to interfere when it seems as if Mary is about to lose it all. I enjoy writing stories about sisters, having a sister of my own and two daughters. It’s the ups and downs of such relationships that readers have responded to so well, especially in sister-based series such as Regency Brides: Daughters of Aynsley. I’m sure readers will connect warmly with these sisters in Dusk’s Darkest Shores, too.
Q: How does Mary’s faith play a role in her daily life? What kind of spiritual promptings does she receive?
Mary is a Christian, someone who tries to follow what Jesus says in her daily life and practice rather than merely offering lip service and an appearance in church each Sunday. She wrestles with her faith, believing far more than what the church edicts allow for, especially in things pertaining to healing and the like.
Mary prays, pauses to listen for a response, and is quick to follow those inner urges to do certain things, such as visit a particular villager or pray for someone. She is conscious that the Holy Spirit has used her to see others healed in the past, and this has built confidence that God will use her in this way again. I love the fact that I can use fiction to talk about some very true things, and some of the incidents mentioned in this book reflect the healings my husband and I have seen in our ministry work.
Q: Adam Edgerton comes back from the war with an illness that has changed his life. What challenges would someone in Adam’s situation face in 1811?
For the men who fought during the Napoleonic Wars, there were many diseases that could fell more soldiers than bullets would. Flushing sickness, or Walcheren fever, was one of those illnesses. Very little was known about it at the time, given that it held similar characteristics to malaria, typhoid, and typhus. The lack of medical knowledge meant there was a lack of medical assistance to be offered, leading to thousands of men dying from disease rather than war. Some of these men who recovered enough were then sent from the Netherlands to fight in Portugal, while others were forced to return to England, where they continued to be plagued by fevers which gradually weakened many of the men and led to early graves.
For soldiers like Adam, who were used to being strong, healthy, and independent, being forced to become dependent on others would have felt humbling. To lose one’s hope is one of the most devastating things in life, and for returned soldiers who could not fulfill the roles they always imagined themselves doing, it was traumatic. How could one provide for a family if you could not keep a job? In 1811, obviously the social and financial situations of families and individuals were not supported by a form of social security, so it became very necessary to rely on the support of one’s neighbors and the church. For men returning from war who were facing physical, mental, and emotional challenges, their transition back into a peaceful community would have been most trying. Not only were they facing the impact of illness and injury on their own lives but also on their families, including such things as the future legacy of a farm that had existed in the family for generations.
Q: Mary’s father is the town doctor who treats Adam. Can you tell us more about the medical treatments of the day and what kind of training doctors would have? How much research did you have to do in regard to that part of the story?
In Regency times there were a number of ranks of medical professionals. A surgeon was often apprenticed to an older doctor, learning on the job to eventually attain a role equivalent to our modern-day general practitioners. An apothecary is like our modern-day pharmacist, and they mixed herbs and the like to create medicines to be sold to the public. A physician underwent the most training of all and was skilled in such things as anatomy, physiology, and surgery, and had experience in hospitals. Some of the best hospitals for training included Guy’s Hospital in London (where poet John Keats studied) and Edinburgh, where Mary’s father trained.
Medical treatments in the Regency era varied, as did their effectiveness. Doctors might not receive a great deal of formal education, but they could be well versed in the use of folk remedies and practices that had proved themselves in the past. Without anesthesia, antiseptics, or antibiotics, doctors used a blend of observation, experience, and whatever training they had to diagnose and treat patients. I found The Complete Herbal by Nicholas Culpeper to be extremely helpful in understanding some of the treatments of the day, such as the use of flowers like feverfew in reducing inflammation and temperature. Reading some of the journals, letters, and medical accounts of those suffering from Walcheren fever were invaluable in understanding more about the disease. It was really interesting to weave Regency-appropriate medical knowledge and treatments into this story, and to detail the making of some of the medicines.
Q: Due to his condition, Adam finds himself in some dark places, in more ways than one. What does he struggle with spiritually?
One of the biggest questions a person can face when confronted with challenging circumstances is “Why is this happening to me?” Linked to this is the question of purpose, and when one’s purpose seems to be ripped away, the question becomes, “Who am I anymore?” Adam always thought he’d be a certain type of person and have a certain kind of life, and when the consequences of war affect this, he’s forced to confront these questions of purpose and lost hope.
Connected to this is his challenge to trust God when he feels like God has failed him. It takes time for him to realize that God has placed people in his life who can help him envisage a new future, learn to trust God (and those people), and understand that God’s ways and a future entrusted to Him can lead to a life so much greater than what we can know or understand.
Q: How does the relationship between Mary and Adam evolve from nurse and patient to friends?
Mary is no simpering, fainthearted miss—she might appear meek to some people, but she is well able to speak honestly and with bluntness. Adam needs someone like Mary to speak the truth others are too afraid to, and he reluctantly starts to appreciate the fact that she doesn’t tiptoe around him. Her ability to help him almost like a modern-day physical therapist means they spend a great deal of time together. He soon learns to value her wry humor and kind ways, and he discovers that the things he once thought important were less than necessary after all. They ultimately are a great match of wit, intelligence, faith, and others-focused service, which deepens their friendship into esteem and then love.
I enjoyed writing and developing these scenes, and have had early readers and endorsers write to me to say they found the final scenes of Dusk’s Darkest Shores to be among the most romantic they have read, so I hope other readers enjoy this too.
Q: Without sharing too much, what kind of scandal do Mary and Adam find themselves in?
In Regency times it was considered somewhat scandalous for a single man and woman to spend time alone together. Even writing a letter to a single gentleman or lady would raise eyebrows! So, when one of Mary’s training sessions goes awry, they are forced to explain themselves in the only socially acceptable way possible—for which Mary does not wish to oblige.
Older, wiser, and already aware that she is “on the shelf,” Mary is unwilling to bow to social expectations and accept the role her small-minded village neighbors think she now must play. She has now realized that she does not want scandal or the opinions of others to influence the rest of her life, and she is willing to pay the price, heartbreaking as that might be. It was really good to write a story of an empowered woman, someone who stood against the societal flow and made her own choices, given that wasn’t an option for many women at that time at all.
Q: What can readers expect as the Regency Wallflowers series continues? What else can your readers look forward to later this year?
I’ve really loved turning the focus from aristocratic foibles to those situations and people that are far more relatable. Next year sees the release of Midnight’s Budding Morrow, a Gothic-inspired romance set in a crumbling castle by the sea in Northumberland, which delves into matters of belonging, acceptance, and family. The following year sees the release of Dawn’s Untrodden Green, which sees a very different Regency wallflower encounter someone who may change her mind about marriage, in a book I consider to be one of my most humorous yet.
Later this year, I’m launching two more contemporary releases as part of the Independence Islands series, Regaining Mercy (about what happens when a failed reality TV star returns to her narrow-minded community) and Restoring Hope (which asks whether opposites who attract can ever really last). Just in time for New Year’s, I have another contemporary romance releasing, The Break Up Project, the first in the Original Six series, set in Boston and involving a preschool teacher and a hockey player.
Lots of happy reading ahead!
Pʀᴀɪsᴇ ғᴏʀ ᴛʜᴇ Bᴏᴏᴋ
Aʙᴏᴜᴛ ᴛʜᴇ Sᴇʀɪᴇs
While most stories set in Regency England focus on the rich, the young, and the beautiful, award-winning author Carolyn Miller decided she wanted to give readers something different for a change. Her new Regency Wallflowers series follows the commoners, away from the hustle and bustle of 1810s London, out in the Lake District of England. She tells the stories of women who are slightly older and have few prospects for marriage, women who might be considered “wallflowers.”